How do the different film versions of Charles Dickens's A Christmas
Carol reflect the politics and culture of their own particular times?
A Christmas Carol (1843) is the most filmed and televised of Dickens'
works. Many will warmly remember the 1951 Alastair Sim version, but how
many are aware of A Carol for Another Christmas (1964), a propaganda
film produced in support of the UN, or The Passions of Carol (1975),
which attempted to highlight the evil of the pornographic industry? How
do the different versions reflect the politics and culture of their own
particular times? What makes a good Carol movie? Is it truth to the
original or is it something else?
0 Comentaris
Per causa dels recents atacs de missatges publicitaris, els comentaris necessiten verificació.